RABBIT HOLE TIME - a bit of venturing down the Beatles rabbit hole. Around one corner, Theo Adorno, Around another ... Faul McCartney.
I’ve never ventured down the Beatles rabbit hole, was not really aware of its existence. And then, a couple of days ago, I listened to Matt Ehret, who gave the tiniest hint of its existence with his statement that they were part of the manufactured sex and drugs counter-culture, part of the engineered destruction of the West which includes Satanic roots.
Enough, I would have thought.
But no. A couple of readers commented. And yet another rabbit hole beckoned.
One. Who wrote the Beatles songs? The answer, from one reader: Theo Adorno. So I did a big of a search. Adorno, a brilliant classically trained musician from the Tavistock Institute who held the rights to the Beatles music and, it is claimed, wrote many of the hits of the Beatles, Rolling Stones and Simon and Garfunkel (including Mrs Robinson):
https://tabublog.com/2016/02/03/theodor-w-adorno-songwriter-for-all-beatles-songs-director-of-frankfurttavistock-social-engineering-school/
A bit more of a search brought me to a list of what are claimed to be the Top 20 Theodor Adorno Songs:
https://forum.tfes.org/index.php?topic=4327.0
Here are a selection:
#20 - Bridge Over Troubled Waters - SImon and Garfunkel.
#12 - Nights in White Satin
#7 - Yellow Submarine
#1 - Hard Day’s Night
He died in 1969 - and apparently that ended the best song-writing time of the Beatles, the Rolling Stones, Simon and Garfunkel, and more.
I was also sent the claim - which may be known to many of you - that Paul #1 was replaced by Paul #2 in late 1966 - allegedly sometimes called Faul by George Harrison when he was displeased with Paul.
I have no urge to go further down this rabbit hole - a lot of which could be seen as nothing more or less than music industry shenanigans stemming from greed for max profits.
Something else is core for me, and I believe for many of you. How the manufacturing of the sex and drugs counter-culture links with, as Diana West puts it in her first book: The Death of the Grown-up - most of all, as Matt Ehret shows, with the deliberate death, the MURDER, of the grown-up and Western culture by the Global Parasites (a name that resonates a bit more for me, at this moment, than Peter and Ginger Breggin’s term, the Global Predators).
So I will leave the Beatles rabbit hole and stay with the mega rabbit hole. The intentional destruction of Western values - like integrity, responsibility, creativity, justice, critical thinking, committed love.
An even bigger commitment is the quest for solutions - including through each person who appreciates and even celebrates being grown-up.
Posted Sept 29, 2023
Just wait until you figure out God’s true earth!
https://theflatearthclockapp.com
That Theo Adorno wrote Beatle songs or any other pop hits seems absurd to me, a misunderstanding of who he was and what he desired. Mike Williams, whose work I recommended, falls for this because of the Frankfurt School connection. Adorno was steeped in classical music appreciation and 20th century musical theory. He was a couple of generations older than the pop singers and audiences he was supposedly writing for and he explicitly abhorred pop music. To top it all he wasn't that fluent in English only in German. How's the old professor going to write colloquial lyrics?
The Frankfurt School was kicked out of Germany when Hitler assumed control. Most of them went to the US. Adorno made a brief stop in England. Their mission was to subvert Western culture, to promote what we now call Cultural Marxism. Adorno loved the atonal works of Schoenberg et al. The destruction of the appreciation of melody was his aim not the creation of pop ditties which are drenched in melody.